Transience
Duct tape, 12' x 8'
Inspiration for image-making often comes from social interaction. These moments are important and humanity will always be a rich source of material, revealing interest and priorities, hegemony and mores, networking and relationships. Whether directly involved or as an observer, I enjoy the encounters and making references to moments where individuals have come together and are sharing spaces.
‘Transience’, is an image based on a moment of interaction where family and friends came together at an exhibition of art. The shared moment reflects the placement of their value and support. As the figures appear to communicate, sharing a moment, the composition is intended to encourage viewers to feel less of an observer and more as a participant, merging and completing the gathering. Importantly, for me, an aesthetic experience lies somewhere between these integral components: the work, the audience and the encounter. Interestingly, each of these components, and even the memories of them, are at times short lived, impermanent quickly passed over.
Transience
Duct tape, 12' x 8'
Inspiration for image-making often comes from social interaction. These moments are important and humanity will always be a rich source of material, revealing interest and priorities, hegemony and mores, networking and relationships. Whether directly involved or as an observer, I enjoy the encounters and making references to moments where individuals have come together and are sharing spaces.
‘Transience’, is an image based on a moment of interaction where family and friends came together at an exhibition of art. The shared moment reflects the placement of their value and support. As the figures appear to communicate, sharing a moment, the composition is intended to encourage viewers to feel less of an observer and more as a participant, merging and completing the gathering. Importantly, for me, an aesthetic experience lies somewhere between these integral components: the work, the audience and the encounter. Interestingly, each of these components, and even the memories of them, are at times short lived, impermanent quickly passed over.
Transience
Duct tape, 12' x 8'
Inspiration for image-making often comes from social interaction. These moments are important and humanity will always be a rich source of material, revealing interest and priorities, hegemony and mores, networking and relationships. Whether directly involved or as an observer, I enjoy the encounters and making references to moments where individuals have come together and are sharing spaces.
‘Transience’, is an image based on a moment of interaction where family and friends came together at an exhibition of art. The shared moment reflects the placement of their value and support. As the figures appear to communicate, sharing a moment, the composition is intended to encourage viewers to feel less of an observer and more as a participant, merging and completing the gathering. Importantly, for me, an aesthetic experience lies somewhere between these integral components: the work, the audience and the encounter. Interestingly, each of these components, and even the memories of them, are at times short lived, impermanent quickly passed over.
Transience
Duct tape, 12' x 8'
Inspiration for image-making often comes from social interaction. These moments are important and humanity will always be a rich source of material, revealing interest and priorities, hegemony and mores, networking and relationships. Whether directly involved or as an observer, I enjoy the encounters and making references to moments where individuals have come together and are sharing spaces.
‘Transience’, is an image based on a moment of interaction where family and friends came together at an exhibition of art. The shared moment reflects the placement of their value and support. As the figures appear to communicate, sharing a moment, the composition is intended to encourage viewers to feel less of an observer and more as a participant, merging and completing the gathering. Importantly, for me, an aesthetic experience lies somewhere between these integral components: the work, the audience and the encounter. Interestingly, each of these components, and even the memories of them, are at times short lived, impermanent quickly passed over.
Singing Gates
acrylic and charcoal, 48" x 36"
Gates have long featured in the art of Bermuda. Situated along picturesque roads and offering glimpses into beautiful private gardens and vistas, gates also represent denial and control. Gates have also become associated with scandal and politics. I use this familiar icon in this series of four paintings to represent local sites of resistance.
Cow Pass
acrylic, 24" x 36"
Here are three of the paintings from this series in which I have focused on distinctive and peculiar elements appearing in my neighborhood.
Cow Pass is the original name for Khyber Pass, Bermuda.
Cow Pass
acrylic, 24" x 36"
Here are three of the paintings from this series in which I have focused on distinctive and peculiar elements appearing in my neighborhood.
Cow Pass is the original name for Khyber Pass, Bermuda.
Selected links:
• Smith curated BNG exhibition: A Sense of Belonging
•. A Sense of Belonging: Connection and Community in Bermuda Art
• Bermuda Biennial 2024
•. Complexity and Variety at Biennial
• Bermuda Biennial 2020
•. Bermuda National Gallery Interview
•. Local Artists Star at Bermuda Biennial
• Pawpaw Bermuda
•. REVIEW: A Treat for the Eyes
•. Pawpaw Book: A Family Affair
•. Daniel Award
•. Audio Statement in Bermuda House of Parliament
• Artist Residency in Gibraltar
•. Gibraltarian Identity Explored at Island Games Art Residency
•. Island Games Art and Sport Legacy
• Imagemaking and the Bermudian Artist
• Carifesta XIII
•. Artwork to go on display in Barbados
• artsmithsbda
•. The Smiths: Keeping Art in the Neighbourhood
•. A Family's gift of Expression
•. A Second Look at Cow Pass, Warwick
•. REVIEW: Creative Smith family showcase talents at BSoA
• Other
•. Artist Captures Rhythm of Life
•. Artist at Work: BNG Blog Interview
•. Draw and Explore. BNG Artist Led Drawing Programme
• Contributed Art Reviews
•. 'Astwood Park 2', Kok Wan Lee, August 2021
•. 'An eye and a heart for ace boys and beautiful humans', Jayde Gibbons, September 2021